Front Porch Books is a monthly tally of new and forthcoming books—mainly advance review copies (aka “uncorrected proofs” and “galleys”)—I’ve received from publishers. Cover art and opening lines may change before the book is finally released. I should also mention that, in nearly every case, I haven’t had a chance to read these books, but they’re definitely going in the to-be-read pile.
Everybody’s Doin’ It
by Dale Cockrell
(W. W. Norton)
Jacket Copy: Everybody’s Doin’ It is the eye-opening story of popular music’s seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York’s spirited dives, where men and women, often black and white, mingled freely―to the horror of the elite. This rollicking demimonde drove the development of an energetic dance music that would soon span the world. The Virginia Minstrels, Juba, Stephen Foster, Irving Berlin and his hit “Alexander’s Ragtime Band,” and the Original Dixieland Jass Band all played a part in popularizing startling new sounds. Musicologist Dale Cockrell recreates this ephemeral underground world by mining tabloids, newspapers, court records of police busts, lurid exposés, journals, and the reports of undercover detectives working for social-reform organizations, who were sent in to gather evidence against such low-life places.
Everybody’s Doin’ It illuminates the how, why, and where of America’s popular music and its buoyant journey from the dangerous Five Points of downtown to the interracial black and tans of Harlem.
Blurbworthiness: “Another scintillating gem from one of the rock stars of American musicology. Cockrell draws on sources we didn’t know existed to draw conclusions we couldn’t have foreseen. He not only illuminates the music of the title’s time period but also puts jazz scholarship on a different footing. Everybody should be readin’ it!” (Robert Walser, author of
Running with the Devil: Power, Gender, and Madness in Heavy Metal Music)
In the Dream House
by Carmen Maria Machado
(Graywolf Press)
Jacket Copy: In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope―the haunted house, erotica, the bildungsroman―through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships. Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales,
Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
Opening Lines: I never read prologues. I find them tedious. If it’s so important, why relegate it to the paratext? What is the author trying to hide?
Blurbworthiness: “Carmen Maria Machado has re-imagined the memoir genre, creating a work of art both breathtakingly inventive and urgently true.
In the Dream House is crucial queer testimony. I’ve never read a book like it.” (Alex Marzano-Lesnevich, author of
The Fact of a Body)
All This Could Be Yours
by Jami Attenberg
(Houghton Mifflin Harcourt)
Jacket Copy: “If I know why he is the way he is then maybe I can learn why I am the way I am,” says Alex Tuchman, strong-headed lawyer, loving mother, and daughter of Victor Tuchman—a power-hungry real estate developer and, by all accounts, a bad man. Now that Victor is on his deathbed, Alex feels she can finally unearth the secrets of who he is and what he did over the course of his life and career. She travels to New Orleans to be with her family, but mostly to interrogate her tightlipped mother, Barbra. As Barbra fends off Alex’s unrelenting questions, she reflects on her tumultuous life with Victor. Meanwhile Gary, Alex’s brother, is incommunicado, trying to get his movie career off the ground in Los Angeles. And Gary’s wife, Twyla, is having a nervous breakdown, buying up all the lipstick in drug stores around New Orleans and bursting into crying fits. Dysfunction is at its peak. As each family member grapples with Victor’s history, they must figure out a way to move forward—with one another, for themselves, and for the sake of their children.
All This Could Be Yours is a timely, piercing exploration of what it means to be caught in the web of a toxic man who abused his power; it shows how those webs can tangle a family for generations and what it takes to—maybe, hopefully—break free.
Opening Lines: He was an angry man, and he was an ugly man, and he was tall, and he was pacing. Not much space for it in the new home, just a few rooms lined up in a row, underneath a series of slow-moving ceiling fans, an array of antique clocks ticking on one wall. He made it from one end of the apartment to the other in no time at all—his speed a failure as much as it was a success—then it was back to the beginning, flipping on his heel, grinding himself against the floor, the earth, this world.
Blurbworthiness: “Set against the vivid backdrop of New Orleans, Jami Attenberg’s extraordinary new novel
All This Could Be Yours is a deep dive into fractured family dynamics. In alternating voices, Attenberg expertly weaves together a chorus of love, betrayal and inheritance, each chapter a prism turned, revealing a new spectrum of secrets. Interspersed are gorgeous excavations into fleeting moments with strangers—the checkout clerks and ferry conductors passing through our lives—connecting this singular family into the larger web of life, where everyone is worthy of understanding and no one is without a soul.” (Hannah Tinti, author of
The Twelve Lives of Samuel Hawley)
The Story of a Goat
by Perumal Murugan
(Grove Atlantic)
Jacket Copy: As he did in the award-winning
One Part Woman, Perumal Murugan in his newest novel,
The Story of a Goat, explores a side of India that is rarely considered in the West: the rural lives of the country’s farming community. He paints a bucolic yet sometimes menacing portrait, showing movingly how danger and deception can threaten the lives of the weakest through the story of a helpless young animal lost in a world it naively misunderstands. As the novel opens, a farmer in Tamil Nadu is watching the sun set over his village one quiet evening when a mysterious stranger, a giant man who seems more than human, appears on the horizon. He offers the farmer a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous for such a small animal. Intoxicating passages from the goat’s perspective offer a bawdy and earthy view of what it means to be an animal and a refreshing portrayal of the natural world. But Poonachi’s life is not destined to be a rural idyll―dangers can lurk around every corner, and may sometimes come from surprising places, including a government that is supposed to protect the weak and needy. Is this little goat too humble a creature to survive such a hostile world? With allegorical resonance for contemporary society and examining hierarchies of caste and color,
The Story of a Goat is a provocative but heartwarming fable from a world-class storyteller who is finally achieving recognition outside his home country.
Opening Lines: Once in a village, there was a goat. No one knew where she was born. The birth of an ordinary creature never leaves a trace, does it? That said, the goat’s arrival into the world was somewhat unusual.
My Red Heaven
by Lance Olsen
(Dzanc Books)
Jacket Copy: Set on a single day in 1927,
My Red Heaven imagines a host of characters―some historic, some invented―crossing paths on the streets of Berlin. The subjects include Robert Musil, Otto Dix, Werner Heisenberg, Anita Berber, Vladimir Nabokov, Käthe Kollwitz, Ludwig Mies van der Rohe, and Rosa Luxemburg―as well as others history has forgotten: a sommelier, a murderer, a prostitute, a pickpocket, and several ghosts. Drawing inspiration from Otto Freundlich’s painting by the same name,
My Red Heaven explores a complex moment in history: the rise of deadly populism at a time when everything seemed possible and the future unimaginable. A terrific read for fans of Richard Powers’
The Overstory and Colum McCann’s
Let the Great World Spin.
Opening Lines: Every evening the dead gather on rooftops across the city.
Blurbworthiness: “Lance Olsen locates his porous, alluring, heartbreaking, and haunted narrative in Berlin on a day in 1927. Poised at a moment of such hope and doom, it is a ravishing meditation on history, on time, and on what is it to be alive.” (Carole Maso, author of
Ava)
Wild Game
by Adrienne Brodeur
(Houghton Mifflin Harcourt)
Jacket Copy: On a hot July night on Cape Cod when Adrienne was fourteen, her mother, Malabar, woke her at midnight with five simple words that would set the course of both of their lives for years to come:
Ben Souther just kissed me. Adrienne instantly became her mother’s confidante and helpmate, blossoming in the sudden light of her attention, and from then on, Malabar came to rely on her daughter to help orchestrate what would become an epic affair with her husband’s closest friend. The affair would have calamitous consequences for everyone involved, impacting Adrienne’s life in profound ways, driving her into a precarious marriage of her own, and then into a deep depression. Only years later will she find the strength to embrace her life—and her mother—on her own terms.
Wild Game is a brilliant, timeless memoir about how the people close to us can break our hearts simply because they have access to them, and the lies we tell in order to justify the choices we make. It’s a remarkable story of resilience, a reminder that we need not be the parents our parents were to us.
Opening Lines: A buried truth, that’s all a lie really is.
Blurbworthiness: “It’s a rare memoir that reads like a thriller, but Adrienne Brodeur’s
Wild Game manages to do just that. Beautifully written and harrowing, the book left me breathless.” (Richard Russo, author of
The Destiny Thief)
Mary Toft; or, The Rabbit Queen
by Dexter Palmer
(Pantheon Books)
Jacket Copy: From the highly acclaimed author of
Version Control comes a stunning, powerfully evocative new novel based on a true story―in 1726 in the small town of Godalming, England, a young woman confounds the medical community by giving birth to dead rabbits. Surgeon John Howard is a rational man. His apprentice Zachary knows John is reluctant to believe anything that purports to exist outside the realm of logic. But even John cannot explain how or why Mary Toft, the wife of a local farmer, manages to give birth to a dead rabbit. When this singular event becomes a regular occurrence, John realizes that nothing in his experience as a village physician has prepared him to deal with a situation as disturbing as this. He writes to several preeminent surgeons in London, three of whom quickly arrive in the small town of Godalming ready to observe and opine. When Mary’s plight reaches the attention of King George, Mary and her doctors are summoned to London, where Zachary experiences for the first time a world apart from his small-town existence, and is exposed to some of the darkest corners of the human soul. All the while, Mary lies in bed, waiting for another birth, as doubts begin to blossom among the surgeons and a growing group of onlookers grow impatient for another miracle...
Opening Lines: The convoy of nine decrepit coaches and wagons that constituted Nicholas Fox’s Exhibition of Medical Curiosities rolled into the village of Godalming on a Friday in early September 1726, soon after sunrise. Its herald, careening headlong before the horses that pulled the lead coach, was a young blond girl whose face was half covered by a port-wine stain, one of her sky-blue eyes peering out of an inky blotch of burgundy. “Tomorrow, witness a series of physiological wonders of which I am the very least,” she proclaimed to passersby, the men and women trudging out of town to begin the day’s harvest of the hop fields. “For the meager price of sixpence, gaze upon the horrific consequences that occur when the Lord God stretches out his mighty finger and lays a curse on Man. Educational for the mind; edifying for the soul.” The windows of the coaches had their thick black curtains pulled, proof against stray glimpses of their passengers. Education and edification would not come for free.
Blurbworthiness: “
Mary Toft; or, The Rabbit Queen is provoking in ways that reach well beyond the premise, anticipating as it does our own ‘world of ash,’ with all its spectacle, factionalism, and noise. It is vividly composed and audaciously imagined, filled with characters who do battle against a world that perceives them as strange—or who, conversely, assume strangeness as a mask in order to induce the world to see them at all. It is yet another wonder in Dexter Palmer’s cabinet of wonders.” (Kevin Brockmeier, author of
The Brief History of the Dead)
Year of the Monkey
by Patti Smith
(Knopf)
Jacket Copy: From the National Book Award-winning author of
Just Kids and
M Train, comes a profound, beautifully realized memoir in which dreams and reality are vividly woven into a tapestry of one transformative year. Following a run of New Year’s concerts at San Francisco’s legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs―including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the Year of the Monkey.” For Smith―inveterately curious, always exploring, tracking thoughts, writing―the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the western landscape with her own dreamscape. Taking us from California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places, this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment set in. But as Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope for a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids,
Year of the Monkey is a moving and original work, a touchstone for our turbulent times.
Opening Lines: It was well past midnight when we pulled up in front of the Dream Motel. I paid the driver, made sure I left nothing behind, and rang the bell to wake up the proprietor. It’s almost 3 a.m., she said, but gave me my key and a bottle of mineral water. My room was on the lowest floor, facing the long pier. I opened the sliding glass door and could hear the sound of the waves accompanied by the faint barking of sea lions sprawled out on the planks beneath the boardwalk. Happy New Year! I called out. Happy New Year to the waxing moon, the telepathic sea.
Blurbworthiness: “A chronicle of a year filled with deep losses and rich epiphanies. The titular year, 2016, set Smith, [who] refers to herself as the ‘poet detective,’ on a quixotic quest, with a mysterious companion unexpectedly reappearing amid a backdrop of rock touring, vagabond traveling, and a poisonous political landscape. Throughout, Smith ponders time and mortality—no surprise considering her milestone birthday, and the experience of losing friends who have meant so much to her.” (
Kirkus)
Wanderers
by Chuck Wendig
(Del Rey)
Jacket Copy: A decadent rock star. A deeply religious radio host. A disgraced scientist. And a teenage girl who may be the world’s last hope. From the mind of Chuck Wendig comes “a magnum opus . . . a story about survival that’s not just about you and me, but all of us, together” (
Kirkus Reviews). Shana wakes up one morning to discover her little sister in the grip of a strange malady. She appears to be sleepwalking. She cannot talk and cannot be woken up. And she is heading with inexorable determination to a destination that only she knows. But Shana and her sister are not alone. Soon they are joined by a flock of sleepwalkers from across America, on the same mysterious journey. And like Shana, there are other “shepherds” who follow the flock to protect their friends and family on the long dark road ahead. For as the sleepwalking phenomenon awakens terror and violence in America, the real danger may not be the epidemic but the fear of it. With society collapsing all around them—and an ultraviolent militia threatening to exterminate them—the fate of the sleepwalkers depends on unraveling the mystery behind the epidemic. The terrifying secret will either tear the nation apart—or bring the survivors together to remake a shattered world.
Opening Lines: The world discovered the comet six months before it appeared in the sky, visible mostly to those on the west Coast of North America. The woman who discovered it, Yumiko Sakamoto, age twenty-eight, was an amateur astronomer in Okayama Prefecture, in the town of Kurashiki. She found it on a lark, looking instead for an entirely different comet―a comet that was expected to strike Jupiter.
Blurbworthiness: “This career-defining epic deserves its inevitable comparisons to Stephen King’s
The Stand.” (
Publishers Weekly)
