Showing posts with label F. Scott Fitzgerald. Show all posts
Showing posts with label F. Scott Fitzgerald. Show all posts
Thursday, November 3, 2016
All the Hungry Possibilities: Elizabeth J. Church’s Library
Reader: Elizabeth J. Church
Location: Los Alamos, NM
Collection Size: est. 6,000
The one book I’d run back into a burning building to rescue: This question violates the Eighth Amendment prohibition against cruel and unusual punishment. But okay, since you INSIST–my Riverside Shakespeare (and it weighs a ton).
Favorite book from childhood: Beautiful Joe by Marshall Saunders
Guilty pleasure book: Valley of the Dolls by Jacqueline Susann
Each time I’ve moved over the years, friends have accused me of mislabeling boxes. “No one can have this many books!” they’ve moaned. But there’s been no deception on my part. I really do own–and love and adore and need–that many books. This obsession, this indefatigable love, will preclude my ever taking off in a tear-drop trailer–unless I lug a second trailer full of books in my wake.
It began with my mother reading to me and my brothers from The Illustrated Treasury of Children’s Literature (1955). We memorized traditional verses about Little Miss Muffet and Diddle Diddle Dumpling, and we played patty-cake while chanting. The book was so loved that my mother in later years had to repair the binding. Ever a product of the Great Depression, she used what was at hand: duct tape.
I progressed to Hans Christian Andersen and the Brothers Grimm. I bought my own Nancy Drew books with my allowance (the books cost $1.00, but with an allowance of 25 cents per week, 10 cents of which had to go to a church offering, that took a long while to earn). My mother had grown up poor, unable to own her own books, but from my father’s childhood library I had glorious old copies of Freckles, A Girl of the Limberlost, several volumes of the Bobbsey Twins, and Black Beauty.
I devoured all the classics: Jane Eyre, Wuthering Heights, and the exquisite Mr. Dickens. I had to be told to go outside and play, to “go get some fresh air”–which meant I hid a book beneath my clothing, went outside, and read.
In high school, I was fortunate enough to have an English teacher who saw my hunger and set about to feed it with consistently nutritional meals. She designed an individual study course for me (then an unheard of approach to teaching). She called it “Great Books.” I was allowed to suggest titles, and she filled in the gaps with F. Scott Fitzgerald, Hemingway, and T. S. Eliot, among others. The two of us would then sit and discuss what I’d read. In retrospect, I think she might have enjoyed our conversations nearly as much as I did, as I recognize what a delight it is to find a young mind eager for books and ideas, someone who is discovering the power, the beauty of words, and the compelling nature of shared stories.
In undergraduate school, I majored in English and minored in French–and I read (slowly, often stumbling) Flaubert, Gide, Zola, Balzac and others in their original French. I found Faulkner, whose darkness spoke most directly to me. Joan Didion, The Killer Angels by Michael Shaara, and All the King’s Men by Robert Penn Warren. I shouted with joy while reading the poetry of Shakespeare, and I put on the highest pedestal Milton’s Paradise Lost. With one generous professor, I sat cross-legged on his office floor and along with him nearly wept over the full-blown roses of Keats, Shelley, and Byron.
Over the ensuing years, all of those volumes have accompanied me from apartment to apartment, home to home. I always dreamt of having a physical, personal library like the ones in Jane Eyre or other such novels. Finally, I gave myself that, and I had bookshelves built to surround my bed. I put fiction around my head, non-fiction facing me on the opposite wall.
It was sheer heaven to see the tentative morning light bless the volumes, and at night to think of all the books I’d consumed, as well as all of the hungry possibilities that still awaited me.
I practiced law for many decades, but in the wake of my husband’s premature death I chose to walk away and instead do what I’d always wanted to do: write books of my own. To do that, I had to give up my home–and that precious library–for a smaller, more affordable house. “Smaller” meant that I also had to give up books. I cut my collection in less than half–an excruciating debridement that at times sliced into bone, even marrow. And yet, once I moved into my cozy new home, I discovered I had to give up even more books just to be able to fit the rest of my life into the house, which was half the size of my previous home.
Two years later, I find myself hunting for books that I thought I’d kept but instead reluctantly let leave me–and I am gradually repurchasing those that I realize I simply don’t want to be without. The library is still divided into fiction and non-fiction. And yes, there are towers of to-be-read books (always a reassuring sight to this hoarder). Both sets of shelves include sections on Vietnam, which is an abiding fascination to me. They are the men of my generation, the men who have populated my life and whom I’ve loved: Robert Olen Butler’s A Good Scent from a Strange Mountain and the unsurpassed The Things They Carried by Tim O’Brien. Most harrowing–and excruciatingly intimate–is Dear America: Letters Home from Vietnam, a compilation of letters written by soldiers and POWs.
For the most part, my library is arranged by “Where will one of this width and size fit?” But I also have shelves that represent the Civil War, Transcendentalism, psychology and philosophy, and my current Olympian Gods of Fiction–such as Colm Toibin and Colum McCann, Faulkner, Fitzgerald, Jean Rhys, D. H. Lawrence, and Michael Cox.
With the publication of my novel, The Atomic Weight of Love, I made one change to my library. I was able, at long last, to fulfill the most constant wish of my life: that I could see my name on a binding and place it next to whomever I chose. I’ll let you find where Atomic resides this week (she moves about in uncanny ways).
Elizabeth J. Church’s debut novel, The Atomic Weight of Love, was a long time coming–it was published when she’d reached age sixty. Atomic was recently released in the United Kingdom, and it comes out in paperback from Algonquin Books in the U.S. in March 2017. Her second novel, Map of Venus, is slated for publication in the spring of 2018. Elizabeth left the practice of law to pursue her lifelong dream of writing, and she has never–for a moment–regretted that decision.
My Library is an intimate look at personal book collections. Readers are encouraged to send high-resolution photos of their home libraries or bookshelves, along with a description of particular shelving challenges, quirks in sorting (alphabetically? by color?), number of books in the collection, and particular titles which are in the To-Be-Read pile. Email thequiveringpen@gmail.com for more information.
Thursday, January 14, 2016
A Year of Reading: Best Books of 2015
Headlines-wise, 2015 was a disheartening year, one I’m glad is now in our rear-view mirror. I don’t have to list all the horrors here–you know them, you lived them–but I think we can all agree it was the kind of year that made you want to pull the covers over your head and stay in bed. Or go out and march in the street, trying to yell the political stupidity and incomprehensible violence back into silence. Whatever your method for dealing with the last twelve months, I think we can all agree that every now and then we needed the solace and escape provided by literature. In 2015, I vowed to read more novels than I did headlines. The very best books did more than just “take me away from reality,” they reminded me that words are stronger than bullets, sentences are sharper than knives, and books are almost always smarter than blow-dried politicians. Here are my very favorite books published in 2015, listed by the order in which I read them and prefaced by some choice cuts from their pages.
The Sasquatch Hunter’s Almanac
by Sharma Shields
It was a dreary Wednesday in early October when Eli informed Gladys that he planned to give up his flourishing podiatry practice and pursue, full-time, the region’s elusive Sasquatch.
I’m cheating a little with this one because I read an advance copy in late 2014, but since Sharma Shield’s debut novel came out in January 2015, I’m going to include it–if nothing else, because I don’t want it to get lost in the year-end rush of books released after Labor Day, and because I’ve been telling everyone I know they’ve got to read this utterly charming, magical, and weird novel about a man’s lifelong quest to find a man he believes is Bigfoot. The novel opens when the man, Eli, is a boy and watches his mother walk out the front door with the big, hairy “Mr. Krantz,” never to be seen again. The book gets even better from there as it explores the issues of abandonment, obsession and the need for revenge.
The Valley
by John Renehan
In the dream he climbed a narrow foot-trail alone in the sun, on a bare mountainside littered with metal corpses.
John Renehan’s debut novel is about an Army lieutenant who leaves the comfort of his forward operating base to travel deep into the heart of darkness in Afghanistan where he’s assigned to investigate a maverick platoon of soldiers who fired a warning shot into a crowd of villagers. The situation disintegrates into violence almost as soon as the aptly-named Lt. Black sets foot at the remote outpost. The Valley has all the best hallucinatory qualities of Apocalypse Now, combined with the taut moral suspense of a writer like Graham Greene. It’s been nearly a year since I read the novel, but I can still recall the fear it generated in me. It tasted like copper pennies.
Recipes for a Beautiful Life: A Memoir in Stories
by Rebecca Barry
According to my horoscope this past weekend was supposed to be a great one for romance. Well. Ha. Ha ha ha ha ha ha ha.
Meet Rebecca Barry: mother, writer, wife, self-distracting procrastinator who makes clay cats and mermaids instead of working on her novel. Meet Rebecca and Tommy, a charming, witty couple who love, fight, kiss-and-make-up, and then start yelling at their toddler sons to stop peeing on each other. Meet Rebecca Barry–she’ll make you laugh on one page and maybe get a little misty-eyed on the next with her “memoir in stories” which is full of hilarious dialogue, recipes for things like “Angry Mommy Tea,” and tips on how to fool your kids into picking up their toys (scare them with stories about a green-toothed fairy named Gladys who steals un-picked-up toys at night). I laughed, I cried, I twisted readers’ arms, insisting they drop everything and read these Recipes right goddamn NOW. This book holds many rewards, and they’re all delicious.
West of Sunset
by Stewart O’Nan
The moon was a thin white sickle, and he thought of that last summer in Antibes, before the Crash, when Zelda was still his and everything was possible.
Stewart O’Nan’s terrific biographical novel of F. Scott Fitzgerald led me down a rabbit trail to reading more of the Jazz Age genius’ short stories. Though I’ve always liked Fitzgerald for his novels, I felt like I rediscovered him in 2015 thanks to O’Nan. West of Sunset chronicles the last years of Fitzgerald’s life–his Hollywood years–as he struggles to develop screenplays for the big movie studios, while trying to write his own work (including, as we know now, that final unfinished novel, The Last Tycoon). I’ve always been a fan of O’Nan’s work, but he nearly outdoes himself in these pages which are permeated with sadness, soaked in whiskey, and full of near-perfect sentences–like this one of Fitzgerald’s final moments: “He lost his grip and felt himself falling, flailing blindly, and with his last helpless thought before the darkness swallowed him, protested: But I’m not done.”
The Dead Lands
by Benjamin Percy
They rode through forests that had burned down to blackened lances and others electric with the yellow-and-red music of fall. They rode across glinting fields of obsidian that looked as though the night froze and fell and shattered.
This past year’s reading was dominated by the apocalypse (I was going to say “plagued,” but refrained from that cheap pun; besides, the doomsday lit I read was, for the most part, pleasant, not plague-y). Of all the end-of-the-world novels I read in 2015, Benjamin Percy’s The Dead Lands was without a doubt the most inventive. For starters, it has a great set-up: the 1804 Lewis and Clark Expedition is recast as a post-SuperFlu/post-nuclear holocaust odyssey of a brave and desperate group, led by Lewis Meriwether and Mina Clark (see what he did there?). Like Emily St. John Mandel’s Station Eleven, the America-to-come is a frightening and devastated wasteland with the survivors’ belief there’s still some untainted green world out there. Percy writes with gusto and has a keen knack of timing, so the pages flew through my fingers. But most importantly, he made me care about his characters so that when sudden and unexpected death strikes the bunch (which it does frequently), I was genuinely moved and mourned for the loss of these made-up people.
Bad Sex
by Clancy Martin
I went to the bar and asked the bartender to pour me a club soda. Then I said, “You know what, add a couple of fingers of vodka to that. Just float it on top. There, yes, a little more, thanks.”
I drank it standing there and got a second. “Easy on the soda,” I told him.
Sure, there’s sex in this short novel–some of it is even bad (as in, harmful to the participants’ emotional well-being)–but what you’ll find more frequently is good writing. And heaps of it. Told in terse chapters, as if the story is being extracted from the narrator’s mouth by a dentist using minimal amounts of novocaine, Bad Sex chronicles the downward spiral of an alcoholic writer struggling to maintain her slippery grip on respectability. The novel opens with our anti-heroine Brett in Central America, away from her husband, and we watch (shaking our heads in judgment) as she begins a love affair with her husband’s friend Eduard. Her actions may lead to no good for all characters involved, but they also make for a great book.
American Copper
by Shann Ray
A single butterfly moved toward her as if climbing poorly made stairs.
If I compared a book to a twilit mountain range washed in purples and oranges and reds, the sight of it causing you, the reader who has trudged through a dull landscape of ordinary novels, to stumble in your sojourn and fall to one knee in reverence for the toothy horizon; and if I said reading this particular novel was as bracing and invigorating as drinking from a cold, clear alpine stream; and if I said it was gorgeous as a coffee-table book and deeply meditative as the Book of Psalms; and if I said just one book can, however briefly, change the way you look at both the natural world and human nature–if I said all that, you’d want to read this book, wouldn’t you? Good, glad to hear it, because American Copper by Shann Ray is all this, and more. And if you think I’m overstating the qualities of this novel set in Montana, well then my dear friend, it’s obvious you haven’t read it. Ray's debut novel has a huge, panoramic timesweep, from the Sand Creek Massacre of 1864 to the years just before World War II, but it is, at heart, an intimate novel. You may have overlooked American Copper in the year-end crush of new literary fiction hitting bookstores; don’t commit that same crime in 2016. Put this beautifully-written, spiritually-grounded novel at the top of your must-read list.
City on Fire
by Garth Risk Hallberg
Then they crested the ridge of Weehawken, and there it was, New York City, thrust from the dull miles of water like a clutch of steely lilies.
Garth Risk Hallberg’s big, bold debut novel invites comparison to blockbuster novelists like Charles Dickens and Tom Wolfe–and it certainly deserves to be mentioned in the same breath as those literary giants–but it more than holds its own as a fresh, inventive narrative that paints on a big canvas and never loses sight of its characters in all that vast page-length. The shooting of a girl in Central Park is at the heart of City on Fire, but around her swirl a cast of characters which include a fireworks manufacturer, a reporter (who may care too much for his own good), anarchists, estranged heirs to a family fortune, a pimply-faced teenager, and a self-doubting novelist named Mercer Goodman who writes what I can only guess is a Hallbergian self-reflection on page 867 (of 944):
In his head, the book kept growing and growing in length and complexity, almost as if it had taken on the burden of supplanting real life, rather than evoking it. But how was it possible for a book to be as big as life? Such a book would have to allocate 30-odd pages for each hour spent living (because this was how much Mercer could read in an hour, before the marijuana)—which was like 800 pages a day. Times 365 equaled roughly 280,000 pages each year: call it 3 million per decade, or 24 million in an average human lifespan. A 24-million page book, when it had taken Mercer four months to draft his 40 pages—wildly imperfect ones! At this rate, it would take him 2.4 million months to finish. 2,500 lifetimes, all consumed by writing. Or the lifetimes of 2,500 writers. That was probably—2,500—as many good writers as had ever existed, from Homer on. And clearly, he was no Homer. Was not even an Erica Jong.No, but he is Garth Risk Hallberg and that’s good enough for me.
Nothing But the Dead and Dying
by Ryan W. Bradley
Frank leaned his head against the window. The glass was still plenty cold. If he were to cry, Frank thought, his face might actually freeze to the window.
Raymond Carver once wrote a story called “What’s in Alaska?” In the course of the story about two couples who get together, smoke some marijuana, and dance around the question of adultery, one of the characters answers the titular question: “There’s nothing in Alaska.” With all due respect to Mr. Carver, there is something in Alaska and it’s hot enough to finally and fully melt all the state’s glaciers. That something is a someone: a writer named Ryan W. Bradley and he writes some of the best bare-knuckled, roll-up-the-sleeves fiction I’ve come across in years. I bring up Raymond Carver because his ghost lingers in Bradley’s sentences, running his cold, bleak fingers across the words. This is not the Alaska of majestic mountains or Last Frontier homesteaders who have to trap their own food and pee into a bucket; it’s not even the wacky Palinesque side of the state. This is a grimmer, more realistic portrait of Alaska, one where collars are blue, the meth is sweet as candy, and life is taken one day at a time. As someone who lived in Fairbanks and Anchorage for nearly a decade, I can tell you this is about as spot-on true as I’ve seen Alaskan fiction get. I was lucky enough to read an advance copy of the short story collection and gave it a blurb, which I’ll just repeat here by way of a review:
Just like the State of Alaska itself, in which they’re set, the stories in Ryan Bradley’s Nothing But the Dead and Dying are beautiful, dangerous, hardcore, and strong enough to break your ice-brittled bones. Here are the losers and the strivers, the broken and the just-fixed, the down-but-not-out and the ones crawling back for forgiveness on hands and knees. These are the people of Alaska, yes, but they are also all the citizens of the world. They are you and me in our best and worst hours. Ryan W. Bradley goes full throttle down an icy road with these stories. GodDAMN, can he ever drive a story!
Fates and Furies
by Lauren Groff
Great swaths of her life were white space to her husband. What she did not tell him balanced neatly with what she did. Still, there are untruths made of words and untruths made of silences, and Mathilde had only ever lied to Lotto in what she never said.
Lauren Groff’s justly-acclaimed novel is a masterclass in writing sentences that are cut like jewels and fitted together like a cogs in a clockwork. Tick-tock gems, one and all. I won’t say too much about the structure of Fates and Furies, for fear of spoiling the first-time reader, except to say that the narrative division which lops the book into two pieces is vital and intrinsic and comes at just the right time. By mid-book, I was completely tangled in the decades-spanning marriage of Lotto (Lancelot) and Mathilde; it made me think about my own marriage and how many times all of us–married or not–say things without ever saying them.
People Like You
by Margaret Malone
Gladys smokes like it was just invented, brand new and full of possibility.
Margaret Malone’s debut collection of stories marches straight to the top of the hill and plants a flag: Here is an important writer to watch. This book embodies everything I love about short fiction: it dances on boxer’s feet, moves in quick, punches hard, and then leaves my head ringing. Malone writes about people who are sometimes distraught, sometimes depressed, often anxious, and occasionally misguided; but one thing they are—always, always, always—is real. Take the titular story, for instance, where average American married couple Cheryl and Bert attend a surprise birthday party for a “friend” they don’t particularly like. They get lost en route, drink too much once there, and leave with some stolen balloons. On the surface, it’s an ordinary evening; but what sets this story apart, what gives it an electric buzz that tastes like you just licked a lamp socket, is what doesn’t happen. With remarkable restraint, Malone takes us on a tour of the tip of the iceberg without feeling the need to state the obvious: there’s a massive, continent-sized chunk of ice right below our feet. A current of tension between Cheryl and Bert hums throughout the story. Their marriage is in free fall when we begin our 13-page eavesdrop and they’re both (or at least Cheryl is) frantically scrabbling their hands across their bodies, trying to find the ripcord that will open the marriage-saving parachute. It may or may not happen. That’s not the point. The point is the ride: the wry, jolting, cynical, sweet, hilarious ride Malone takes us on with her sentences. Sentences like: “We drive in silence for minutes, the inside-car hush of our motion, all the best-times feelings dissolving, the thick familiar air starts up between us. Me, driving. Him, sitting there.” Bottom line, readers like you need to read People Like You.
Ongoingness: The End of a Diary
by Sarah Manguso
I wrote so I could say I was truly paying attention. Experience in itself wasn’t enough. The diary was my defense against waking up at the end of my life and realizing I’d missed it.
At one time or another, many of us have kept a diary. I started mine in 1984, but it’s sporadic: I water its garden erratically. I’ve given it the wholly-pretentious title “My Life (and How I Lived It)” and it currently stands at 350,000 words. That’s nothing compared to the diary Sarah Manguso kept for twenty-five years: it eventually ballooned to 800,000 words. She felt compelled to write down, in detail, every single thing that happened to her every single day. “Imagining life without the diary, even one week without it, spurred a panic that I might as well be dead,“ she writes in Ongoingness. “The trouble was that I failed to record so much...From the beginning, I knew the diary wasn’t working, but I couldn’t stop writing. I couldn’t think of any other way to avoid getting lost in time.” Time–the tick-tock of pendulums, the silent flicker of numerals on a digital clock, the rustle of calendar pages–time is the main character in Ongoingness. Time, you ugly, teasing, despicable beast! I hate you, but I must come to terms with you. And that’s what Manguso tries to do in this stunning meditation (compressed into 104 pages) on how to live for the present moment. Of all the books I read in 2015, Ongoingness is the one that halted me in my tracks, made me stop what I was doing (suspended in time!) and read slowly, and repetitively, its words of wisdom. I’ll leave you with just a few sentences–pearls in a long string of them:
I tried to record each moment, but time isn’t made of moments, it contains moments. There is more to it than moments.
Lives stop, but life keeps going.
Left alone in time, memories harden into summaries. The originals become almost irretrievable.
Perhaps all anxiety might derive from a fixation on moments–an inability to accept life as ongoing.
Look at me, dancing my little dance for a few moments against the background of eternity.
Related posts:
A Year of Reading: Best Novellas of 2015
A Year of Reading: Best Books From Other Years
A Year of Reading: Best Poetry of 2015
A Year of Reading: Best Gift Book of 2015 for Bookworms
A Year of Reading: Best Short Stories of 2015
A Year of Reading: Best Book Cover Designs of 2015
A Year of Reading: Best First Lines of 2015
Wednesday, December 30, 2015
A Year of Reading: Best Books From Other Years
While most of the books I read in 2015 were released this year, I have to give a hearty nod of appreciation to those volumes published in years gone by—from the near-past to the farther-distant classics. The piles of books scattered in varying heights throughout my house are populated by authors and their works that I’ve been longing to read for years. Regrettably, most of them are rudely elbowed to the back of the line by louder, shinier, more-impatient releases of the here and now. Every so often, though, I’ll turn to those older, slightly-dusty books and say, “Okay, you’ve waited long enough; your time has come.”
In the near future, I’ll announce my favorite books published in 2015; but for now, here is the best of the backlist I read this year. They are ranked by the order in which I read them.
The Fever
by Megan Abbott
This was my first foray into Megan Abbott’s work. It won’t be my last. Not only does her writing smell like Teen Spirit, this novel about a mysterious illness infecting girls at a high school moves along at a blood pulse. From start to finish, The Fever had me in its grip.

An Exact Replica of a Figment of My Imagination
by Elizabeth McCracken
“This is the happiest story in the world with the saddest ending,” Elizabeth McCracken writes in this memoir about losing her baby in the ninth month of pregnancy. While there’s nothing inherently uplifting about miscarriage, McCracken tunnels into her grief and re-emerges with a gem of a book that left me profoundly stricken with both sorrow and, yes, joy—the kind of joy that comes from reading a sad story bravely and beautifully told.

Hondo
by Louis L’Amour
I’ve made it an annual tradition to begin the new year by reading one of the nearly 100 Louis L’Amour paperbacks on my shelf—after closing out the old year by reading one of the Agatha Christie mysteries I’ve collected over the years (maybe—but probably not—I’ll work my way through their entire canon before I die). I typically regard L’Amour westerns as palate-cleansers: entertaining diversions that never really reach literary heights. Hondo was different. Without hesitation, I gave it five stars at my Library Thing account. This tense and tender story of a lonely pioneer woman, a rugged gunman, and an Apache warrior on the warpath is flat-out great. The John Wayne movie is terrific, too.

11/22/63
by Stephen King
This year’s reading was dominated by the inimitable King of Horror. Not only did I finally get around to reading this doorstopper-whopper of a novel about a time-traveling schoolteacher who goes back to try and stop Lee Harvey Oswald’s assassination of John F. Kennedy, but I also read It (which splashes over into 11/22/63’s plot) and re-read The Stand for the first time in more than three decades. I’d always touted The Stand as my favorite of Stephen King’s books; unfortunately, it didn’t hold up as well for me this go-round. With a jaunty nudge of its elbow, 11/22/63 knocked The Stand right off its pedestal. The newer novel is King at his best. It’s complex, full of heart, and wound tight with nail-chewing tension.

Station Eleven
by Emily St. John Mandel
If the apocalypse turns out to be as beautiful as Emily St. John Mandel describes in this novel, then I can’t wait for the end of the world. Sure, there’s plenty of misery, starvation and deprivation in this tale about how the world puts itself back together after a pandemic, but the ultimate outlook of Station Eleven is one of hope. This is a book I plan to re-read just for the sheer pleasure of going back over Mandel’s pitch-perfect sentences.

Fourth of July Creek
by Smith Henderson
This was a big novel—as big as the Big Sky state of Montana in which it’s set—but it never felt loose or flabby. Quite the opposite, in fact. I connected with social worker Pete Snow from the very first chapter and never let go for the next 450 pages as he struggled to hold his life together while trying to mend other broken families. It’s still hard for me to believe this was Smith Henderson’s debut novel. It has the depth and heft of a writer at the polished height of his career.

The Mysteries Of Pittsburgh
by Michael Chabon
As a long-time fanboy of Chabon’s work, I can’t believe it took me nearly two decades to get around to reading The Mysteries of Pittsburgh. But when I did, I took a slow swim through the lush language of his debut. Chabon’s narrator, Art Bechstein, has a voice as memorable as that of The Catcher in the Rye’s Holden Caulfield. And that opening line? “At the beginning of the summer I had lunch with my father, the gangster, who was in town for the weekend to transact some of his vague business.” I was snagged hook, line and sinker.

Astoria
by Peter Stark
Peter Stark’s excellent book has the unwieldy subtitle “John Jacob Astor and Thomas Jefferson's Lost Pacific Empire: A Story of Wealth, Ambition, and Survival,” but it really could be boiled down to a simple “Hardship and Endurance.” I started reading Astoria just before my wife and I took a road trip to the titular Astoria, Oregon during Memorial Day weekend. Whenever possible, I like to have the full-immersion, Sensurround experience while reading books. Of course, the route the members of the 1810 Astor Expedition took on their three-year journey to forge an American empire on the Pacific Coast is radically different now. Those poor, bedraggled explorers probably could have used a warm croissant and a steaming cappuccino from Starbucks right around the time they were eating the soles of their boots in the Idaho wilderness. Stark put me there on the cross-country trip, every step of the way, and made me feel the misery.

The Short Stories of F. Scott Fitzgerald
Stewart O’Nan drove me to drink…and to read F. Scott Fitzgerald. Midway through West of Sunset, O’Nan’s brilliant novel about the last days of Fitzgerald, I made it a habit at the end of each workday to pour a few fingers of whiskey, neat, and sit at the bar in my basement with a copy of the three-inch-thick collection of Fitzgerald’s short stories, edited by Matthew J. Bruccoli. Sure, I’ve read and re-read many of Fitzgerald’s classic novels and have been a long-time fan of his work, but for the most part his short fiction had remained an undiscovered country. What a pleasure to explore these expertly-crafted stories and to roll them around on my tongue like the sweet smoke of bourbon! (Oh, and West of Sunset is pretty damn fine, too.)

The Lay of the Land
by Richard Ford
Though I normally put Richard Ford to the top of the To-Be-Read heap as soon as he releases a new book, it’s taken me nine years to get around to The Lay of the Land. Truth be told, I’ve never been the biggest fan of Ford’s Frank Bascombe novels. While I thought The Sportswriter and Independence Day were well-written, I’ve always had a more emotional connection with Ford’s fiction set in the American West (Rock Springs, Wildlife and Canada). Bascombe always left me feeling a little meh. The Lay of the Land was different. Maybe it’s because Bascombe and I are close in age (he’s 55, I’m a few years behind that), or maybe the time was right for me to read about a white male in 2000 riddled with anxiety over the unresolved presidential election results, his wayward children, his ex-wife, his real estate business, and—most of all—a recent diagnosis of prostate cancer, or maybe because there’s some damn fine writing on these pages—whatever the cause, I connected with this Bascombe in a deeply spiritual way.
Related posts:
A Year of Reading: Best Poetry of 2015
A Year of Reading: Best Gift Book of 2015 for Bookworms
A Year of Reading: Best Short Stories of 2015
A Year of Reading: Best Book Cover Designs of 2015
A Year of Reading: Best First Lines of 2015
Sunday, December 27, 2015
Sunday Sentence: “Crazy Sunday” by F. Scott Fitzgerald
Simply put, the best sentence(s) I’ve read this past week, presented out of context and without commentary. This week, I’m going to cheat by picking two sentences from the same story by F. Scott Fitzgerald. I couldn’t decide which one was “best.”
It was Sunday—not a day, but rather a gap between two other days.
There she was, in a dress like ice-water, made in a thousand pale-blue pieces, with icicles trickling at the throat.
“Crazy Sunday” from
The Short Stories of F. Scott Fitzgerald: A New Collection
The Short Stories of F. Scott Fitzgerald: A New Collection
Sunday, December 20, 2015
A Not-Quite-Definitive Young Adult Reading List
A few days ago, a friend of mine posed a question to me on Twitter: Any good recs for very smart 15 year old girls? I have 2 on my list, and I’m looking for things I don’t know about.
While I’ve read and enjoyed my share of Young Adult literature (starting from the time I was a young adult myself), the genre has really bloomed and boomed in recent years, leaving me a little out of the loop. So, I turned to the Hivemind in my social media circles and asked them for recommendations. To put it mildly, my Facebook account exploded. Golly, you people sure are passionate about your favorite ’tween reads! There were so many terrific (and terrifically diverse) suggestions that I decided to compile them here in one place. You’re welcome.
Before diving into the roster, you should know a few things: this list is far from complete. It begs for additions, which you are free to put in the comments section. Second, I’ve included some books which might not be typical reading fare for teenage girls (I drew the line at including Fifty Shades of Grey, which one Facebook friend suggested--hopefully with tongue firmly planted in cheek). I leave it to the parents and young readers themselves to decide what level of maturity they’re ready for.
I should add that I have only read an embarrassingly small fraction of these, so I can’t vouch for the quality of everything on here. I can tell you, however, that I’ll be using this as a starting point to upgrade my own YA reading.
One last thing: though the original request was for books which would appeal to a teenage girl, I don’t think that should stop any young gentleman from dipping into, and enjoying, this list.
I’ll begin with some personal favorites of my own which didn’t get mentioned by my Facebook users. I have read these and recommend you put them at the top of your reading pile:
Tunnel Vision by Susan Adrian
Are You There God? It’s Me, Margaret. by Judy Blume
The Chocolate War by Robert Cormier
I Am the Cheese by Robert Cormier
The Outsiders by S. E. Hinton
Flowers for Algernon by Daniel Keyes
The Catcher in the Rye by J. D. Salinger
Smile by Raina Telgemeier
Sisters by Raina Telgemeier
Drama by Raina Telgemeier
And now on with the rest of the list...
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
Never Always Sometimes by Adi Alsaid
How the Garcia Girls Lost Their Accents by Julia Alvarez
In the Time of the Butterflies by Julia Alvarez
Speak by Laurie Halse Anderson
Twisted by Laurie Halse Anderson
Mosquitoland by David Arnold
The Handmaid’s Tale by Margaret Atwood
Eucalyptus by Murray Bail
The Elegance of the Hedgehog by Muriel Barbery
Shadow and Bone by Leigh Bardugo
The Darkest Part of the Forest by Holly Black
Weetzie Bat by Francesca Lia Block
Tiger Eyes by Judy Blume
Beauty Queens by Libba Bray
Ender’s Game by Orson Scott Card
The Perks of Being a Wallflower by Stephen Chbosky
Girl with a Pearl Earring by Tracy Chevalier
The Hunger Games Trilogy by Suzanne Collins
The Miseducation of Cameron Post by emily m. danforth
Dreamland by Sarah Dessen
Saint Anything by Sarah Dessen
The Brief Wondrous Life of Oscar Wao by Junot Diaz
All the Light We Cannot See by Anthony Doerr
The Nursery Crime series by Jasper Fforde
The Thursday Next series by Jasper Fforde
The Basil and Josephine Stories by F. Scott Fitzgerald
Extremely Loud and Incredibly Close by Jonathan Safran Foer
My Brilliant Career by Miles Franklin
Inkspell by Cornelia Funke
Sophie’s World by Jostein Gaarder
Conviction by Kelly Loy Gilbert
The Fault in Our Stars by John Green
The Unbecoming of Mara Dyer by Michelle Hodkin
Their Eyes Were Watching God by Zora Neale Hurston
The First Part Last by Angela Johnson
Alice, I Think by Susan Juby
Miss Smithers by Susan Juby
Girl, Interrupted by Susanna Kaysen
I Crawl Through It by A. S. King
The Woman Warrior by Maxine Hong Kingston
The Midwife’s Tale by Gretchen Moran Laskas
This Raging Light by Estelle Laure
To Kill a Mockingbird by Harper Lee
A Wrinkle in Time by Madeleine L’Engle
Very Far Away from Anywhere Else by Ursula K. Le Guin
The Astrologer’s Daughter by Rebecca Lim
How Green Was My Valley by Richard Llewellyn
The Giver by Lois Lowry
Inexcusable by Chris Lynch
Station Eleven by Emily St. John Mandel
Brown Girl, Brownstones by Paule Marshall
The Rowan by Anne McCaffrey
The Dragonriders of Pern books by Anne McCaffrey
Wildwood by Colin Meloy
Mermaids in Paradise by Lydia Millett
Anne of Green Gables by L. M. Montgomery
The Bluest Eye by Toni Morrison
I’ll Give You the Sun by Jandy Nelson
All the Bright Places by Jennifer Niven
Wonder by R. J. Palacio
Sweet Valley High series by Francine Pascal
Jacob Have I Loved by Katherine Paterson
The Bell Jar by Sylvia Plath
The Lightning Queen by Laura Resau
Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
Eleanor & Park by Rainbow Rowell
Fangirl by Rainbow Rowell
Carry On by Rainbow Rowell
Bone Gap by Laura Ruby
Glow by Amy Kathleen Ryan
Franny and Zooey by J. D. Salinger
Challenger Deep by Neal Shusterman
More Happy Than Not by Adam Silvera
Winger by Andrew Smith
A Tree Grows in Brooklyn by Betty Smith
I Capture the Castle by Dodie Smith
The Lies About Truth by Courtney C. Stevens
Nimona by Noelle Stevenson
The Merlin Trilogy by Mary Stewart
The Mysterious Benedict Society by Trenton Lee Stewart
An Ember in the Ashes by Sabaa Tahir
The Joy Luck Club by Amy Tan
Honor Girl by Maggie Thrash
Homecoming by Cynthia Voigt
The Color Purple by Alice Walker
We All Looked Up by Tommy Wallach
This Side of Home by Renee Watson
Code Name Verity by Elizabeth Wein
The Once and Future King by T.H. White
Night by Elie Wiesel
Everything, Everything by Nicola Yoon
The Book Thief by Markus Zusak
And no list of literature for young readers would be complete without mentioning one of my favorite literary periodicals, One Teen Story magazine. A subscription would make a wonderful year-round gift for your favorite young reader.
Labels:
Anthony Doerr,
F. Scott Fitzgerald,
J. D. Salinger
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